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Lerín Artists Management

Toni Marsol

Varios

Awarded with the prize of honor of the Conservatorio Superior de Música del Liceu of Barcelona, his musical career goes from opera to oratorio and from recital to contemporary music, with numerous premieres of composers of our days as Albert Guinovart, Mariona Vila, Domènech González de la Rubia, Diego Dallosto, Joan Albert Amargós, Antoni Parera-Fons or Raquel García-Tomás, among others.

He has interpreted from the Mozartian roles of Figaro, Don Giovanni, Leporello or Papageno, to the Verdian roles of Germont, Iago, Falstaff or Macbeth, through the most important characters of Donizetti, Rossini and Puccini, among others, such as Dulcamara, Malatesta, Don Pasquale, Mustafa, Dandini, Don Magnifico, Gianni Schicchi, Marcello, Scarpia or Pinkerton.

In the field of oratorio, his interpretations of Bach‘s Passions, Handel‘s Messiah, the Requiems of Mozart, Fauré, Brahms and Verdi, Haydn‘s Creation, Beethoven‘s 9th Symphony and Orff‘s Carmina Burana, among others, stand out, and he has sung with orchestras and choirs such as RTVE, the ORCAM, the Orfeón Donostiarra, the Orfeón Pamplonés, the Choir and Orchestra of the Gran Teatro del Liceu, the Madrid Symphony Orchestra, the Choir of the Teatro Real, the Navarra Symphony Orchestra, the Granada City Orchestra, the Choir and Orchestra of the Valencian Community, the Galicia Symphony Orchestra, the BBC Orchestra and Choir of London, etc.

He has collaborated with the Capella Reial de Catalunya conducted by Jordi Savall and has sung under the baton of conductors such as Michel Plasson, Gianandrea Noseda, Evelino Pidò, Pablo Heras-Casado, Josep Pons, Antoni Ros-Marbà, Víctor Pablo Pérez, Salvador Brotons, Andrew Davis, Riccardo Frizza, Pinchas Steinberg, Alexander Liebreich or Mark Wigglesworth, among others, both in Spain and in most European countries.

Reviews

Toni Marsol.
Carmen | Gran Teatre del Liceu

“Destacó por la idiosincrasia actoral y vocal, de un personaje lascivo y chulesco, el Moralès del barítono Toni Marsol.” Platea Magazine “Eficaces y muy convincentes actoralmente fueron el Moralès del barítono Toni Marsol“ Scherzo “Un amplio reparto que estuvo muy

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Reviews

“… regalándonos esta “gala de gala” en solitario con el carácter de “espléndida” en el amplio sentido del adjetivo. Auditorio en pie, rendido a “La Jaho” y bisando la “humilde esclava del genio creador”, Ermonela verdadera trabajadora lírica, quien en

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